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The fourth Horseman, Death on the Pale Horse. Engraving by Gustave Doré (1865). When the Lamb broke the fourth seal, I heard the voice of the fourth living creature saying, "Come". I looked, and behold, an ashen horse; and he who sat on it had the name Death; and Hades was following with him. Authority was given to them over a fourth of the ...
The Horses of Neptune, illustration by Walter Crane, 1893.. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
The word Sháhál (usually meaning "lion") might possibly, owing to some copyist's mistake, have crept into the place of another name now impossible to restore. צֶפַע ṣep̲aʿ (Isaiah 59:5), "the hisser", generally rendered by basilisk in ID.V. and in ancient translations, the latter sometimes calling it regulus. This snake was ...
Allegorical interpretation of the Bible is an interpretive method that assumes that the Bible has various levels of meaning and tends to focus on the spiritual sense, which includes the allegorical sense, the moral (or tropological) sense, and the anagogical sense, as opposed to the literal sense.
The Lamb opening the book/scroll with seven seals. The Seven Seals of God from the Bible's Book of Revelation are the seven symbolic seals (Greek: σφραγῖδα, sphragida) that secure the book or scroll that John of Patmos saw in an apocalyptic vision.
In the discussion regarding this verse in the Babylonian Talmud (Sanhedrin 98a), a story is told of the Persian king Shevor, who says to Samuel, one of the Amoraim, "You say that the Messiah will come on a donkey; I will send him the riding horse that I have." In response to the ridicule of the king, Samuel answers, "Do you have a horse with ...
In the New Testament book of Revelation 4:6–8, four living beings (Greek: ζῷον, zōion) [5] are seen in John's vision. These appear as a lion, an ox, a man, and an eagle, much as in Ezekiel but in a different order.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...