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Congregational singing at a church in La Matanza, Argentina, 1972. Congregational singing is the practice of the congregation participating in the music of a church, either in the form of hymns or a metrical Psalms or a free form Psalm or in the form of the office of the liturgy (for example Gregorian chants). [1]
In German, the word Choral may as well refer to Protestant congregational singing as to other forms of vocal (church) music, including Gregorian chant. [1] The English word which derived from this German term, that is chorale, however almost exclusively refers to the musical forms that originated in the German Reformation.
Contemporary music aims to enable the entire congregation to take part in the song, in accord with the call in Sacrosanctum Concilium for full, conscious, active participation of the congregation during the Eucharistic celebration. What its advocates call a direct and accessible style of music gives participation of the gathered community ...
Stainer intended the piece to be within the scope of most parish church choirs; it includes five hymns for congregational participation. [3] The text consists of extracts from the King James Bible with poetic material written by W J Sparrow Simpson, the librettist of Stainer's earlier cantata Mary Magdalene. [4]
Liturgical music originated as a part of religious ceremony, and includes a number of traditions, both ancient and modern.Liturgical music is well known as a part of Catholic Mass, the Anglican Holy Communion service (or Eucharist) and Evensong, the Lutheran Divine Service, the Orthodox liturgy, and other Christian services, including the Divine Office.
Church music is Christian music written for performance in church, or any musical setting of ecclesiastical liturgy, or music set to words expressing propositions of a sacred nature, such as a hymn. History
He used various textures and styles of music in ways which were most appropriate and effective for each." [15] Luther also adapted the music of existing plainsong melodies as hymn tunes. Families enjoyed singing hymns in parts in their homes, for the family's enjoyment and edification, but unison singing was the custom in church.
During the Georgian era, the music of George Frideric Handel was highly significant, with his repertoire of anthems, canticles and hymns, although he never held a church post. [15] Up until the early 19th century, most Anglican church music in England was centred around the cathedrals, where trained choirs would sing choral pieces in worship.