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A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or a major second. [1] The lack of a minor or a major third in the chord creates an open sound, while the dissonance between the fourth and fifth or second and root creates tension.
The whole process is called a suspension as well as the specific nonchord tone(s). Suspensions may be further described with two numbers: (1) the interval between the suspended note and the bass note and (2) the interval between the resolution and the bass note. The most common suspensions are 4–3 suspension, 7–6 suspension, or 9–8 ...
0 4 7 e 6: Major Magic chord: Play ⓘ 8: 0 1 5 6 t 0 3 5 ... Seventh suspension four chord [6] ... Chord names and symbols (popular music) Chromatic mediant; Common ...
The convention is that using an odd number (7, 9, 11, or 13) implies that all the other lower odd numbers are also included. Thus C 13 implies that 3, 5, 7, 9, and 11 are also there. Using an even number such as 6, implies that only that one extra note has been added to the base triad e.g. 1, 3, 5, 6.
Resolution in western tonal music theory is the move of a note or chord from dissonance (an unstable sound) to a consonance (a more final or stable sounding one). Dissonance, resolution, and suspense can be used to create musical interest.
In guitar music, like rock, a "5" indicates a power chord, which consists of only the root and fifth, possibly with the root doubled an octave higher. 6 indicates a sixth chord. There are no rules if the 6 replaces the 5th or not. 7 indicates a dominant seventh chord. However, if Maj7, M7 or Δ 7 is indicated, this is a major 7th chord (e.g., G ...
In Western musical theory, a cadence (from Latin cadentia 'a falling') is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards. [2] A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. [3]
It was the first seventh chord to appear regularly in classical music. The V 7 chord is found almost as often as the V, the dominant triad, [5] and typically functions to drive the piece strongly toward a resolution to the tonic of the key. A dominant seventh chord can be represented by the integer notation {0, 4, 7, 10} relative to the dominant.
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