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This Is Just to Say (Wall poem in The Hague) "This Is Just to Say" (1934) is an imagist poem [1] by William Carlos Williams. The three-versed, 28-word poem is an apology about eating the reader's plums. The poem was written as if it were a note left on a kitchen table. It has been widely pastiched. [2] [3]
James Whitcomb Riley was born on October 7, 1849, in the town of Greenfield, Indiana, the third of the six children of Reuben Andrew and Elizabeth Marine Riley.Riley's grandparents came from Ireland to Pennsylvania before moving to the Midwest [1] [2] [n 1] Riley's father was an attorney, and in the year before his birth, he was elected a member of the Indiana House of Representatives as a ...
Gregory Pardlo (born November 24, 1968) [1] is an American poet, writer, and professor. His book Digest won the 2015 Pulitzer Prize for Poetry.His poems, reviews, and translations have appeared in The American Poetry Review, Callaloo, Poet Lore, Harvard Review, Ploughshares, and on National Public Radio. [2]
Bonjour Tristesse (English: "Hello Sadness") is a novel by Françoise Sagan. Published in 1954, when the author was only 18, it was an overnight sensation. The title is derived from a poem by Paul Éluard, "À peine défigurée", which begins with the lines "Adieu
The editors of Exploring Poetry believe that the meaning of the poem and its form are intimately bound together. They state that "since the poem is composed of one sentence broken up at various intervals, it is truthful to say that 'so much depends upon' each line of the poem. This is so because the form of the poem is also its meaning."
Spring and All is a hybrid work consisting of alternating sections of prose and free verse.It might best be understood as a manifesto of the imagination. The prose passages are a dramatic, energetic and often cryptic series of statements about the ways in which language can be renewed in such a way that it does not describe the world but recreates it.
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The poem employs alliteration, anaphora, simile, satire, and internal rhyme but no regular end rhyme scheme. However, lines 1 and 2 and lines 6 and 8 end with masculine rhymes. Dickinson incorporates the pronouns you, we, us, your into the poem, and in doing so, draws the reader into the piece. The poem suggests anonymity is preferable to fame.