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Spanish is a pro-drop language with respect to subject pronouns, and, like many European languages, Spanish makes a T-V distinction in second person pronouns that has no equivalent in modern English. Object pronouns can be both clitic and non-clitic, with non-clitic forms carrying greater emphasis.
"Yo También" (English: "Me Too") is a song written and performed by Bachata singer Romeo Santos featuring Salsa singer Marc Anthony Released as the fifth single for his second studio album Formula, Vol. 2 (2014). The music video was released on January 23, 2015.
"Yo Te Amo" (transl. "I Love You" ) is a song by Puerto Rican singer Chayanne from his ninth studio album, Simplemente (2000). [ 1 ] The song was written and produced by Estéfano and released as the lead single from the album in 2000 by Sony Discos in the United States.
La forma/manera en que/en la que/como reaccionasteis = "The way that/in which/how you reacted" (en que is the most common and natural, like "that" or the null pronoun in English; but como is possible, as "how" is in English)
The você (subj.) / te (obj.) combination, e.g. Você sabe que eu te amo, is a well-known peculiarity of modern General Brazilian Portuguese and is similar in nature to the vocês (subj.) / vos (obj.) / vosso (poss.) combination found in modern colloquial European Portuguese. Both combinations would be condemned, though, by prescriptive school ...
After the successful self-titled album released in 1987, which included one of Chayanne's signature songs, "Fiesta en América", a track that peaked at number 4 in the Billboard Hot Latin Tracks chart and also ranked 49th in the 2008 recap for the '100 Greatest Songs of the 80's in Spanish' by VH1 Latin America, [2] [3] the singer recorded in 1988 his second self-titled album under the Sony ...
"Te Amo" impacted radio in Italy on May 28, 2010, and was released via digital download on June 8, 2010, in Australia, Italy and New Zealand, as the album's sixth and final single. "Te Amo" incorporates elements of music of Latin America and conveys Rihanna's struggles as the object of another woman's desires.
Y Tu Te Vas; Salome/Boom Boom (Medley) No Se Por Que; No Te Preocupe Por Mi; Caprichosa; Tengo Miedo; Si Nos Quedara Poco Tiempo; Lola; Este Ritmo Se Baila Asi/Baila Baila (Medley)