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Live to fight another day (This saying comes from an English proverbial rhyme, "He who fights and runs away, may live to fight another day") Loose lips sink ships; Look before you leap; Love is blind – The Two Gentlemen of Verona, Act II, Scene 1 (1591) Love of money is the root of all evil [15] Love makes the world go around
Pages in category "English proverbs" The following 31 pages are in this category, out of 31 total. ... Curiosity killed the cat; D. The devil is in the details;
However, a man of mature age may also prosper in terms of his material wealth and friends, and achieve happiness. The poet explains that the distribution of man's fortunes and misfortunes is in God's hands, including that of one's skills and talents: martial dexterity (throwing and shooting), cunning at board-games, scholarly wisdom and the ...
The Proverbs of Alfred is a collection of early Middle English sayings ascribed to King Alfred the Great (called "England's darling"), said to have been uttered at an assembly in Seaford, East Sussex. [1] The collection of proverbs was probably put together in Sussex in the mid-12th century.
Give a dog a bad name and hang him is an English proverb. Its meaning is that if a person's reputation has been besmirched, then he will suffer difficulty and hardship. A similar proverb is he that has an ill name is half hanged. The proverb dates back to the 18th century or before.
Old Possum's Book of Practical Cats (1939) is a collection of whimsical light poems by T. S. Eliot about feline psychology and sociology, published by Faber and Faber. It serves as the basis for Andrew Lloyd Webber 's 1981 musical Cats .
"Widsith" is located between the poems "Vainglory" and "The Fortunes of Men". Since the donation of the Exeter Book in 1076, it has been housed in Exeter Cathedral in southwestern England. The poem is for the most part a survey of the people, kings, and heroes of Europe in the Heroic Age of Northern Europe.
"The Husband's Message" is an anonymous Old English poem, 53 lines long [1] and found only on folio 123 of the Exeter Book.The poem is cast as the private address of an unknown first-person speaker to a wife, challenging the reader to discover the speaker's identity and the nature of the conversation, the mystery of which is enhanced by a burn-hole at the beginning of the poem.