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Domenico Ghirlandaio, Confirmation of the Rule (detail) - the original Marzocco can be seen on the corner of the palazzo in the background at left, 1480s.. The original that had stood since (perhaps) 1377, and is now lost, appears to have been similar to Donatello's in design, though it was fully gilded and may have crouched over a submissive wolf representing Florence's great rival Siena. [1]
Dolindo Ruotolo (6 October 1882, Naples, Italy–19 November 1970, Naples, Italy) was an Italian Catholic priest. [1] He is a candidate for beatification and the Catholic Church has granted him the title "Servant of God".
Lo Zuccone (Italian pronunciation: [lo dzukˈkoːne]), which translates from Italian as "large head" or "bald head", [1] is the popular name given to a marble statue by Donatello. It was commissioned for the bell tower of the Cathedral of Florence, Italy and completed between 1423 and 1425.
As Donatello's Marzocco for the papal apartment in Santa Maria Novella conveyed Florence's ambivalence towards Martin V (as both a source of prestige by visiting, and a potential adversary of the Republic), the lions supporting the bier contextualize the tomb monument's support for John XXIII's claim to the papacy by cementing it as a ...
Donato di Niccolò di Betto Bardi (c. 1386 – 13 December 1466), known mononymously as Donatello (English: / ˌ d ɒ n ə ˈ t ɛ l oʊ /; [2] Italian: [donaˈtɛllo]), was an Italian sculptor of the Renaissance period. [b] Born in Florence, he studied classical sculpture and used his knowledge to develop an Early Renaissance style of sculpture.
The Ascension with Christ Giving the Keys to Saint Peter is a rectangular stiacciato (schiacciato) marble relief sculpture of c. 1428–1430 by Donatello, now in the Victoria and Albert Museum in London.
Saint George Freeing the Princess is a marble stiacciato bas-relief sculpture by Donatello, sculpted around 1416 or 1417. [1] It was originally situated under the same artist's Saint George on an external niche of the church of Orsanmichele in Florence; both works are now in the Bargello Museum, with replicas replacing them in their original positions.
The Virgin and Child is a c.1426 stiacciato marble relief produced by a pupil or studio assistant of the Italian Renaissance sculptor Donatello, probably after a drawing or autograph sculpture by the master himself.