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Daniel Aloysius Lord, SJ (23 April 1888 – 15 January 1955) was an American Jesuit priest and writer. He wrote 32 books, 15 booklets, and 228 pamphlets, as well as countless articles. He wrote 32 books, 15 booklets, and 228 pamphlets, as well as countless articles.
According to Daniel A. Lord, SJ, thanksgiving after Holy Communion always supposes a "realization of who is present in our hearts: Jesus Christ, God-man, lover of souls, divinely powerful, humanly tender, with grace in His hands and the keenest possible interest in His heart for the one who has just received Him."
To achieve this, Quigley recruited Father Daniel A. Lord, a Jesuit priest and instructor at Saint Louis University, to draft the code. On March 31, 1930, the board of directors of the Motion Picture Producers and Distributors Association formally adopted it. While the original version was popularly known as the Hays Code, both it and its later ...
Daniel A. Lord was a Jesuit priest who had served as one of the technical consultants on Cecil B. DeMille's 1927 The King of Kings. [14] Quigley drafted Lord to write a code for motion pictures. With the blessing of Cardinal George W. Mundelein of Chicago, Father Lord authored the code, which later became known as "The Production Code ", "The ...
Daniel Lord (September 23, 1795 – March 4, 1868) was a prominent New York City attorney. His firm was eventually joined by his son-in-law Henry Day and son Daniel Lord Jr. to form Lord Day & Lord .
Portrayed by Daniel Dae Kim, who has had roles in practically every TV show ever and shows absolutely zero signs of aging, this is a new take on Ozai. A hot take, if you will. Daniel Dae Kim as ...
The others to make the SCL’s list but not the Oscars’ are “Old Tom Bombadil” from the new “Lord of the Rings” movie and “Let’s Put the Christ Back in Christmas” from “The Boys.”
In 1929, Catholic layman Martin Quigley, editor of the prominent trade paper Motion Picture Herald, and Jesuit priest Father Daniel A. Lord, created a code of standards [21] and submitted it to the studios. [6] [22] Lord was particularly concerned with the effects of sound film on children, whom he considered especially susceptible to their ...