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Even more than in other countries, German art in the early 20th century developed through a number of loose groups and movements, many covering other artistic media as well, and often with a specific political element, as with the Arbeitsrat für Kunst and November Group, both formed in 1918. In 1922 The November Group, the Dresden Secession ...
Elisabeth von Eicken (1862–1940) Andreas Eigner (1801–1870) Fritz Eisel (1929–2010) Felix Eisengräber (1874–1940) Marie Ellenrieder (1791–1863) Friedrich August Elsasser (1810–1845) Adam Elsheimer (1578–1610) Ludwig Elsholtz (1805–1850) Wilhelm Emelé (1830–1905) Edgar Ende (1901–1965) Sylvester Engbrox (born 1964)
Pages in category "German art movements" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. B. Beuron school;
Magic realism – 1960s, Germany; Minimalism – 1960 – Hard-edge painting – early 1960s, United States; Fluxus – early 1960s – late-1970s; Happening – early 1960 – Video art – early 1960 – Psychedelic art – early 1960s – Conceptual art – 1960s – Graffiti – 1960s – Junk art – 1960s – Performance art – 1960s ...
Johann Joachim Kändler; Wolf Kahlen; Leo Kahn; Johannes Kahrs (artist) Hanns-Christian Kaiser; Johanna Keimeyer; Hans Kemmer; George Kenner; Georg Friedrich Kersting
German art movements (2 C, 14 P) H. History of art in Germany (1 C, 3 P) M. ... Pages in category "German art" The following 30 pages are in this category, out of 30 ...
Adolf Hitler during his speech at the opening of the 1st Great German Art Exhibition 1937. The Great German Art Exhibition, which spanned the first floor, the upper floor and the two-story "Hall of Honour" in the centre of the building, was promoted as the most important cultural event in Nazi Germany. The show was conceived as a sales ...
The term is commonly used in French, English, and German to refer to people or works that are experimental or innovative, particularly with respect to art and culture. Avant-garde represents a pushing of the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm.
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