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Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians (collectively called Anglo-Frisians) as an alphabet in their native writing system, recording both Old English and Old Frisian (Old English: rūna, ᚱᚢᚾᚪ, "rune").
The early Medieval treatise Auraicept na n-Éces ('The Scholars' Primer') describes the origin of alphabets from the Tower of Babel. It assigns plant names and meanings to the Ogham alphabet, to a lesser extent to Norse Younger Futhark runes, and by extension to Latin letters when used to write Gaelic.
The following is a list of Scottish clans (with and without chiefs) – including, when known, their heraldic crest badges, tartans, mottoes, and other information. The crest badges used by members of Scottish clans are based upon armorial bearings recorded by the Lord Lyon King of Arms in the Public Register of All Arms and Bearings in Scotland .
The Finnish word runo, meaning 'poem', is an early borrowing from Proto-Germanic, [12] and the source of the term for rune, riimukirjain, meaning 'scratched letter'. [13] The root may also be found in the Baltic languages, where Lithuanian runoti means both 'to cut (with a knife)' and 'to speak'. [14]
The name meanings are inferred from the Norwegian and Icelandic rune poems. A hallmark of medieval runes was the optional sting or bar diacritic which was often used to indicate when a rune stands for a secondary sound; ᚡ gave /v/, ᚤ gave /y/ and /ø/, ᚧ gave /ð/, ᚵ gave /g/ and /ɣ/, ᛂ gave /e/ and rarely /j/, ᛑ gave /d/, ᛔ gave ...
Ogham (also ogam and ogom, [4] / ˈ ɒ ɡ əm / OG-əm, [5] Modern Irish: [ˈoː(ə)mˠ]; Middle Irish: ogum, ogom, later ogam [ˈɔɣəmˠ] [6] [7]) is an Early Medieval alphabet used primarily to write the early Irish language (in the "orthodox" inscriptions, 4th to 6th centuries AD), and later the Old Irish language (scholastic ogham, 6th to 9th centuries).
The Ear ᛠ rune of the Anglo-Saxon futhorc is a late addition to the alphabet. It is, however, still attested from epigraphical evidence, notably the Thames scramasax , and its introduction thus cannot postdate the 9th century.
Some of them are intended as hoaxes, their creators attempting to imitate a Viking Age artefact. Especially since the late 20th century, runestones in the style of the Viking Age were also made without pretense of authenticity, either as independent works of art or as replicas as museum exhibits or tourist attractions.