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Throughout the ages, art has been a part of the church. God designed the temple, employing artisans to create its beautiful and ornate workmanship. Churches of old included stained-glass windows created to illustrate God’s word, and even the most simple country churches often include beautiful wooden crosses and podiums.
While Calvinists largely removed public art from religion and Reformed societies moved towards more "secular" forms of art which might be said to glorify God through the portrayal of the "natural beauty of His creation and by depicting people who were created in His image", [24] Counter-Reformation Catholic church continued to encourage ...
But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]
Theological aesthetics is the interdisciplinary study of theology and aesthetics, and has been defined as being "concerned with questions about God and issues in theology in the light of and perceived through sense knowledge (sensation, feeling, imagination), through beauty, and the arts". [1]
Folio 27r from the Lindisfarne Gospels contains the incipit from the Gospel of Matthew.. The Lindisfarne Gospels (London, British Library Cotton MS Nero D.IV) is an illuminated manuscript gospel book probably produced around the years 715–720 in the monastery at Lindisfarne, off the coast of Northumberland, which is now in the British Library in London. [1]
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Most Western commentators in the Middle Ages considered the Transfiguration a preview of the glorified body of Christ following his Resurrection. [11] In earlier times, every Eastern Orthodox monk who took up icon painting had to start his craft by painting the icon of the Transfiguration, the underlying belief being that this icon is not painted so much with colors, but with the Taboric light ...
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
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