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A collection can include any number of poems, ranging from a few (e.g. the four long poems in T. S. Eliot's Four Quartets) to several hundred poems (as is often seen in collections of haiku). Typically the poems included in single volume of poetry, or a cycle of poems, are linked by their style or thematic material.
The album Music Through Heartsongs is a collection of poetry by Mattie Stepanek, performed by Billy Gilman; John Denver performed "The Box" Percy Bysshe Shelley's poem "Ozymandias" has been recorded by Jean-Jacques Burnel; Max Dunn's poem "I Danced Before I had Two Feet" was turned into a song ("I Danced") by the band Violent Femmes
Goethe and Schiller in front of the Deutsches Nationaltheater and Staatskapelle Weimar, where many of Liszt's symphonic poems premiered. [4]According to cultural historian Hannu Salmi, classical music began to gain public prominence in Western Europe in the latter 18th century through the establishment of concerts by musical societies in cities such as Leipzig and the subsequent press coverage ...
Lemminkäinen Suite (also known as Four Legends from the Kalevala), Op. 22 * [a cycle of four tone poems] Lemminkäinen and the Maidens of the Island (1895, revised 1897 and 1939) * The Swan of Tuonela (1893-1895, revised 1897 and 1900) *
The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction.
The music was composed between 1845 and 1854, and began as an overture to Liszt's choral cycle Les quatre élémens (The Four Elements), then revised as a stand-alone concert overture, with a new title referring to a poem by Alphonse de Lamartine. Its premiere was on 23 February 1854, conducted by Liszt himself.
While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as ...
One of the most significant differences when comparing standard sijo with sijo chang is the presence of musical instruments. Sijo chang poetry employs the use of various Korean instruments to accompany the vocalist reciting the poem. Sijo chang is known as "short song" because it has slow tunes with long, drawn-out ending pronunciation. For ...