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The Xhosa culture has a traditional dress code informed by the individuals social standing portraying different stages of life. The 'red blanket people' (Xhosa people) have a custom of wearing red blankets dyed with red ochre, the intensity of the colour varying from tribe to tribe.
Shweshwe is traditionally used to make dresses, skirts, aprons and wraparound clothing. Shweshwe clothing is traditionally worn by newly married Xhosa women, known as makoti, and married Sotho women. [9] [10] [14] [15] Xhosa women have also incorporated the fabric into their traditional ochre-coloured blanket clothing.
Xhosa people wear beaded clothes when they perform umxhentso. The name of these traditional garments is umbhaco, while their cousins, the Zulus, wear animal hide (men) and colourful clothing and beads (women). They usually paint themselves prior to performing.
Traditional clothes were worn by leaders such as Nelson Mandela, who put on a Xhosa traditional garment, in 1962 in his trial for attempting to overthrow the government. The expression of his identity as a true South African person spoke for the aggression in resistance and asking for one's won control of one's country. [ 6 ]
If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress. Traditional clothing often has two forms: everyday wear, and formal wear. The word "costume" in this context is sometimes considered pejorative, as the word has more than one meaning, and thus "clothing", "dress", "attire" or "regalia" can be ...
Initiates take part in rituals performed by their birth families, which include physical and spiritual cleansing, prayers and offerings, blessings, traditional food, clothing and music. It also involves the imparting of wisdom by elderly Xhosa women, including encouraging abstinence until marriage for girls. [6]
An early, blunt oval-shaped Xhosa shield, c.1805 5. ikhawu with staff 127 cm and hide 108 cm, 1948, Mount Frere A Nguni shield is a traditional, pointed oval-shaped, ox or cowhide shield which is used by various ethnic groups among the Nguni people of southern Africa.
It requires a level of expertise and time to weave the cloth. Traditional indigo-colored Aso oke often required the hand-spun thread to be dyed up to fourteen times to achieve the deep blues needed. Special techniques were used to make the threads colorfast so that they would not damage the lighter colored threads or embroidery when washed.
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