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Without Hope: Sin esperanza: Oil on canvas mounted on masonite, 28 x 36 cm Collection of Dolores Olmedo Patiño, Mexico City, Mexico 1946 Landscape (Landscape of El Pedregal) Paisaje: Oil on canvas, 20 x 27 cm Frida Kahlo Museum, Coyoacán, Mexico 1946 The Wounded Deer: El venado herido: Oil on masonite, 22.4 x 30 cm
Her paintings from this period include Broken Column (1944), Without Hope (1945), Tree of Hope, Stand Fast (1946), and The Wounded Deer (1946), reflecting her poor physical state. [71] During her last years, Kahlo was mostly confined to the Casa Azul. [ 72 ]
Frida Kahlo was a Mexican painter active between 1925 and 1954. She began painting while bedridden due to a bus accident that left her seriously injured. Most of her work consists of self-portraits, which deal directly with her struggle with medical issues, infertility, and her troubeparate Frida on which to project her anguish and pain. [2]
The new documentary film "FRIDA" by filmmaker Carla Gutiérrez uses the late Mexican artistic icon Frida Kahlo's illustrated diary and intimate correspondence to tell her story in her own words ...
Frida Kahlo used her own experiences to inform her art. In that spirit, Kahlo’s personal writings are used to help tell the story of her life in a new documentary, “Frida.” Filmmaker Carla ...
Kahlo released her unconscious mind through the use of what seems to be an irrational juxtaposition of images in her bathwater. In this painting, Frida paints herself, precisely her legs and feet, lying in a bath of grey water. The painting was included in Kahlo's first solo exhibit at the Julien Levy Gallery in New York City in November 1938.
Frida Kahlo had no religious affiliation. Why, then, did the Mexican artist depict several religious symbols in the paintings she produced until her death on July 13, 1954? “Frida conveyed the ...
Kahlo had written Dr. Eloesser about her ambivalence, seeking his direction about whether or not to pursue a surgical abortion (presumably dilation and curettage or dilation and evacuation). But after she sent the first letter, per Herrera, "Frida had decided against [a surgical] abortion, hoping against hope that Dr. Pratt was right." [3]
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