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A special effect of a miniature person from the 1952 film The Seven Deadly Sins. Special effects (often abbreviated as F/X or simply FX) are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the fictional events in a story or virtual world.
Special effects (usually visual), illusions used in film, television, and entertainment; Sound effects, sounds that are artificially created or enhanced; SFX, a British magazine covering the topics of science fiction and fantasy; SFX (Science Fiction Expo), a convention in Toronto, Canada; SFX Entertainment, American promoter
The following year, "Best Special Effects" became a recognized category, although on occasion the Academy has chosen to honor a single film outright rather than nominate two or more films. From 1939 to 1963, it was an award for a film's visual effects as well as audio effects, so it was often given to two persons, although some years only one ...
A special effects supervisor, also referred to as a special effects director, special effects coordinator or SFX supervisor, is an individual who works on a commercial, theater, television or film set creating special effects. They are generally the department head who defers to the film's director and/or producers, and who is in charge of the ...
Richard Alan Baker (born December 8, 1950), known professionally as Rick Baker, is a retired American special make-up effects creator and actor. [1] He is mostly known for his creature designs and effects.
Special effects: Special effects (often abbreviated as SFX, SPFX, F/X or simply FX) are illusions or visual tricks used in the theatre, film, television, video game and simulator industries to simulate the fictional events in a story or virtual world.
العربية; Aragonés; Azərbaycanca; Башҡортса; Беларуская (тарашкевіца) Български; Bosanski; Cymraeg; Ελληνικά
He is known for his special effects work on TV series including Thunderbirds (1965–66) and films including Alien (1979), [5] for which he received the 1980 Academy Award for Best Visual Effects (shared with H. R. Giger, Carlo Rambaldi, Dennis Ayling and Nick Allder).
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