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Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...
The tragic imitation requires less time for the attainment of its end. If it has more concentrated effect, it is more pleasurable than one with a large admixture of time to dilute it. There is less unity in the imitation of the epic poets (plurality of actions) and this is proved by the fact that an epic poem can supply enough material for ...
[4] For Else, catharsis is an Aristotelian concept which must be read alongside the literary concepts of mimesis and hamartia as well. These latter two concepts are usually paraphrased as "literary representation" and "intellectual error" in Else's appraisal of Aristotle's literary aesthetic theory.
The automotive repair persons' version is referring to the cause of a problem as a "faulty steering actuator", "broken linkage between the seat and the steering wheel", "loose nut between the steering wheel and the seat," or more simply, "loose nut behind the wheel."
Kullervo, a tragic hero from the Karelian and Finnish Kalevala. The influence of the Aristotelian hero extends past classical Greek literary criticism.Greek theater had a direct and profound influence on Roman theater and formed the basis of Western theater, with other tragic heroes including Macbeth in William Shakespeare's The Tragedy of Macbeth, and Othello in his Othello. [4]
Some have understood “hamartia” this way: “Traditionally, [hamartia] has been interpreted as referring to a 'tragic flaw' in the character of the protagonist (the tragic hero). More often than not, the tragic flaw is hubris. . .
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Hieronymus Bosch's The Seven Deadly Sins and the Four Last Things. Catholic hamartiology is a branch of Catholic thought that studies sin.According to the Catholic Church, sin is an "utterance, deed, or desire," [1] caused by concupiscence, [2] that offends God, reason, truth, and conscience. [3]