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The Parthenon frieze is the high-relief Pentelic marble sculpture created to adorn the upper part of the Parthenon 's naos. It was sculpted between c. 443 and 437 BC, [1] most likely under the direction of Phidias. Of the 160 meters (524 ft) of the original frieze, 128 meters (420 ft) survives—some 80 percent. [2]
The sculpture work had to be done on the ground, before the metopes were put in place, at the top of the walls. The sculptors, necessarily many, surely began to work from 447 or 446 BC to complete their work before 438 BC, when the work for the roof began; 442 BC or shortly thereafter is a likely completion date.
Contrast is created between the high relief sculpture on the ends and the low relief sculpture in the centre of the chest. [5] The details of the friezes indicate that the craftsmen were Greek, as revealed by the depictions of the human form on the West side of the chest.
The Feast of Herod is a bronze relief sculpture created by Donatello circa 1427. It was made for the font of the Siena Baptistery of San Giovanni in Italy. It is one of Donatello's earliest relief sculptures, and his first bronze relief. [1] The sculpture is noted for Donatello's use of perspective. [2] The piece is 60 by 61 centimeters.
Many of the art forms and methods used by the Romans – such as high and low relief, free-standing sculpture, bronze casting, vase art, mosaic, cameo, coin art, fine jewelry and metalwork, funerary sculpture, perspective drawing, caricature, genre and portrait painting, landscape painting, architectural sculpture, and trompe-l'œil painting ...
The Assyrians produced relatively little sculpture in the round, with the partial exception of colossal human-headed lamassu guardian figures, with the bodies of lions or bulls, which are sculpted in high relief on two sides of a rectangular block, with the heads effectively in the round (and often also five legs, so that both views seem ...
Art-historical studies of tomb sculpture and sepulchral iconography tend to focus on case studies of single examples or regionally associated groups rather than on a broad overview of the type's origins, development, and sociological contexts. [102] The main hindrance is the wide interdisciplinary nature of writing about the sculptures.
2003,0718.1. The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old- Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions. Side view showing depth of the relief.