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An earlier king, Ashurnasirpal II (r. 883-859), who had erected other lion hunt reliefs in his palace at Nimrud some 200 years before, boasted in inscriptions of about 865 BC that "the gods Ninurta and Nergal, who love my priesthood, gave me the wild animals of the plains, commanding me to hunt. 30 elephants I trapped and killed; 257 great wild ...
"Winged genie", Nimrud c. 870 BC, with inscription running across his midriff. Part of the Lion Hunt of Ashurbanipal, c. 645–635 BC. Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia (modern-day Iraq) which at its height, ruled over all of Mesopotamia, the Levant ...
The Assyrians produced relatively little sculpture in the round, with the partial exception of colossal human-headed lamassu guardian figures, with the bodies of lions or bulls, which are sculpted in high relief on two sides of a rectangular block, with the heads effectively in the round (and often also five legs, so that both views seem ...
2003,0718.1. The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old- Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions. Side view showing depth of the relief.
Sculpture in the Indian subcontinent. Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during ...
Parthenon Frieze. The Parthenon frieze is the high-relief Pentelic marble sculpture created to adorn the upper part of the Parthenon 's naos. It was sculpted between c. 443 and 437 BC, [1] most likely under the direction of Phidias. Of the 160 meters (524 ft) of the original frieze, 128 meters (420 ft) survives—some 80 percent. [2]
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. [5] Mathura "was the first artistic center ...
They were carved on practically square Pentelic marble slabs: 1.20 meters high for a variable width, but averaging 1.25 meters. Originally, the block of marble measured 35 centimeters thick: the sculptures were made in high relief, even in very high relief at the edge of the round-bump, standing out about 25 centimeters.
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