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Informal country clothes of 1760–62. The long collared coat without cuffs is a "frock". Comte d'Angiviller wears a rose-coloured coat with a fur lining over a flowered white satin waistcoat with gold braid or embroidery. His shirt has a lace frill down the front. French fashion emphasizes rich fabrics over cut and tailoring, c. 1763.
A German prince shows his stiff turned-back cuffs, embroidered in gold, as is the centre of his coat, stockings over his breeches. Back view of a coat of 1721 shows the center back vent and the pleated gores set into the side seams. The gentleman wears square-toed shoes and carries a tricorne tucked under his arm.
A coat with a wide collar called a frock coat, derived from a traditional working-class coat, was worn for hunting and other country pursuits in both Britain and America. Although originally designed as sporting wear, frock coats gradually came into fashion as everyday wear.
With the long waistcoat and stockings worn over the knee, very little of the breeches could be seen. A possible reason that the stockings were worn over the knee, was to give the impression of longer legs since the waist coat fell very low, just above the knee. The breeches tended to be of the same material as the coat. The stockings varied in ...
Frans Hals' Laughing Cavalier (in the Wallace Collection) wears a slashed doublet, wide reticella lace collar and cuffs, and a broadbrimmed hat, 1624. Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men ...
His flat shoes have square toes and bows on the instep, and are worn with white stockings, 1827. Alexander Pushkin wears a black coat, black silk cravat and plaid shawl. Russian, 1827. Goethe wears a coat with a slight puff at the sleeve head, a satin lining turned back to form lapels, and a high contrasting collar over a patterned waistcoat ...
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