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Comparative musicology is known as the cross-cultural study of music. [9] Once referred to as "Musikologie", comparative musicology emerged in the late 19th century in response to the works of Komitas Keworkian (also known as Komitas Vardapet or Soghomon Soghomonian.) [10] A precedent to modern ethnomusicological studies, comparative musicology seeks to look at music throughout world cultures ...
Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
Herzog was a North American pioneer in the field of ethnomusicology and posed such radical research questions as: "do animals have music?" (1941). [3] Herzog was a member of the Board of Advisers of the Institute of Jazz Studies and was briefly president in 1955.
Music archaeology is an interdisciplinary field with multifaceted approaches, [6] falling under the cross section of experimental archaeology and musicology research. [7] Music archaeology research aims to understand past musical behaviors; this may be done through methods such as recreating past musical performances, or reconstructing musical instruments from the past.
E. M. von Hornbostel. Erich Moritz von Hornbostel (25 February 1877 – 28 November 1935) was an Austrian ethnomusicologist, comparative musicologist, and scholar of music.. He is remembered for his pioneering work in the field of ethnomusicology, and for the Sachs–Hornbostel system of musical instrument classification which he co-authored with Curt Sac
Sociomusicology (from Latin: socius, "companion"; from Old French musique; and the suffix -ology, "the study of", from Old Greek λόγος, lógos : "discourse"), also called music sociology or the sociology of music, refers to both an academic subfield of sociology that is concerned with music (often in combination with other arts), as well as a subfield of musicology that focuses on social ...
In theory, "music history" could refer to the study of the history of any type or genre of music (e.g., the history of Nigerian music or the history of rock); in practice, these research topics are often categorized as part of ethnomusicology or cultural studies, whether or not they are ethnographically based.
Biomusicology is the study of music from a biological point of view. The term was coined by Nils L. Wallin in 1991 to encompass several branches of music psychology and musicology, including evolutionary musicology, neuromusicology, and comparative musicology.