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Thomas Edwards (fl. 1587–1595) was an English poet who published two Ovidian epic poems Cephalus and Procris and Narcissus. [1] Beyond his name, nothing is known with certainty of Edwards. He has been provisionally identified with a Shropshire law student of that name who transferred from Furnival's Inn to Lincoln's Inn in June 1587, where he ...
This story is told from the perspective of the reflection pool in which Narcissus gazed at himself. Beginning immediately after Narcissus' death, the prose poem captures the Oreads and the pool grieving for the loss of Narcissus. Seeing that the pool has become a "cup of salt tears", the Oreads try to console the pool, saying that it must be ...
Canticle V: The Death of Saint Narcissus, Op. 89, is a 1974 composition for tenor and harp by Benjamin Britten, the last part of his series of five Canticles. Britten set a poem by T. S. Eliot, beginning "Come under the shadow of this gray rock", published in Early Youth. He wrote it in memory of his friend William Plomer.
A. E. Housman refers to the 'Greek Lad', Narcissus, in his poem "Look not in my Eyes" from A Shropshire Lad set to music by several English composers including George Butterworth. At the end of the poem stands a jonquil, a variety of daffodil, Narcissus jonquilla, which like Narcissus looks sadly down into the water.
As punishment, he was doomed to fall in love with his own reflection in a pool of water. Unable to consummate his love, Narcissus 'lay gazing enraptured into the pool, hour after hour', [ 3 ] and finally pined away, changing into a flower that bears his name, the narcissus .
In the satirical Apocolocyntosis of Seneca the Younger, written soon after Narcissus' death, the servant greets his old master Claudius in Hades and runs ahead of him through the gates of the underworld. He is scared by Cerberus, a dog-beast so unlike the little white dog Narcissus is mentioned as owning in life. Robert Graves' novel I, Claudius.
N. tazetta growing in Israel Demeter and Persephone surrounded by daffodils - "Demeter rejoiced, for her daughter was by her side". Narcissi have been used decoratively for a long time, a wreath of white-flowered N. tazetta having been found in an ancient Egyptian grave, and in frescoes on the excavated walls of Pompeii. [16]
As the other nymphs took Narcissus into the afterlife, they wailed a sorrowful song, and Echo repeated the last syllabic wails back, in sadness. When the river master of death brought Narcissus on the boat across the Styx into the afterlife, Narcissus stared at his reflection, in unrequited desire. Eventually, Echo, too, began to waste away.