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Gaspard de la nuit (subtitled Trois poèmes pour piano d'après Aloysius Bertrand), M. 55 is a suite of piano pieces by Maurice Ravel, written in 1908.It has three movements, each based on a poem or fantaisie from the collection Gaspard de la Nuit – Fantaisies à la manière de Rembrandt et de Callot completed in 1836 by Aloysius Bertrand.
The book had an important influence upon other poets, mostly French, including Charles Baudelaire, through whom the importance of the work came to be recognized.The most famous tribute was the Suite, Gaspard de la Nuit: Trois poèmes pour piano d'après Aloysius Bertrand, of three piano pieces by Maurice Ravel based on three items, namely 'Ondine', 'Scarbo' and 'Le Gibet'.
Bertrand, Aloysius (1807-1841). Gaspard de la nuit : fantaisies à la manière de Rembrandt et de Callot / par Aloysius Bertrand. 1920. Software used: Bibliothèque nationale de France: Conversion program: iText 1.4.8 (by lowagie.com) Encrypted: no: Version of PDF format: 1.4: Page size: 1024 x 1483 pts; 1024 x 1453 pts
In 1990, he also made an orchestral arrangement of the piano composition Gaspard de la nuit by Maurice Ravel. [8] He returned to Debussy's Pelleas in 1992 when he abridged and arranged Debussy's score for two pianos in a Peter Brook production entitled Impressions of Pelleas. [9]
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Orchestra 1907 A15: Nikolai Rimsky-Korsakov: Antar: Orchestra 1909 Incidental music to a 5-act play by Chékry-Ganem; partial reorchestration of most of the symphonic poem Antar Op. 9, the movements reordered and interspersed with reorchestrated fragments of the same work, a fragment of the opera Mlada, orchestrated fragments of songs from the Romances Op. 4 and Op. 7, and an extract from ...
She received the completed score on 11 November 1931, and played the concerto at the Salle Pleyel on 14 January 1932, with Ravel conducting the Orchestre Lamoureux. [ 11 ] A few days after the premiere, Ravel and Long began a European tour with the concerto, playing in sixteen cities, starting in Antwerp and including Brussels, Vienna ...
Ravel, in a letter to Ganz, thanked him for his performances of Ravel's work, and dedicated "Scarbo" the third part of his composition Gaspard de la Nuit to him in gratitude. As late as the 1960s Ganz continued to pioneer new music.