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Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
This category contains articles about novels which use a third-person narrative structure; a mode of storytelling in which the narration refers to all characters with third person pronouns like he, she, or they, and never first- or second-person pronouns. The narrator can be omniscient or limited
Third-person narration: A text written as if by an impersonal narrator who is not affected by the events in the story. Can be omniscient or limited, the latter usually being tied to a specific character, a group of characters, or a location. A Song of Ice and Fire is written in multiple limited third-person narrators that change with each chapter.
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
A narrator whose nature is revealed through their own narration and without their conscious awareness. [6]: 158 The naïf narrator lacks the experience "to deal in any far-reaching manner with the moral, ethical, emotional, and intellectual questions which arise from his first ventures into the world and from his account of those ventures."
Diegesis (/ ˌ d aɪ ə ˈ dʒ iː s ɪ s /; from Ancient Greek διήγησις (diḗgēsis) 'narration, narrative', from διηγεῖσθαι (diēgeîsthai) 'to narrate') is a style of fiction storytelling in which a participating narrator offers an on-site, often interior, view of the scene to the reader, viewer, or listener by subjectively describing the actions and, in some cases ...
2.1 Third person limited omniscient. 3 Surprise, surprise! 4 Merge with Point of view (literature) ... Toggle the table of contents. Talk: Third-person omniscient ...
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