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The Mad Cows are a folk/funk band formed in Stroud, UK. The band consists of Christian Guerrini (founder and creative director), Hamish Guerrini (vocals and guitar), [ 1 ] Guy Guerrini (keyboards and vocals), Miles Guerrini (vocals), Andy Dunn (guitar), Spencer Hawes (bass guitar and double bass) and Caspar Cox (drums and percussion).
Mad Cows and Englishmen was reissued through Empty Records in 1997 and The Store For Music in 2001, adding live recordings of "Wot" and "Happy Talk" as bonus tracks. [3] The hidden track, "Cigarette Sandy", was not included on the reissues. In 1998, Eagle Records reissued the album as The Masters, including "Cigarette Sandy" and the two bonus ...
This page was last edited on 27 February 2025, at 16:27 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
"More Cowbell" [a] [2] is a comedy sketch that aired on Saturday Night Live on April 8, 2000. The sketch was written by regular cast member Will Ferrell [3] and depicts the recording of the song "(Don't Fear) The Reaper" by Blue Öyster Cult.
Branded, also known as The Mad Cow; The Mad Cows, a British band; Mad Cow Theatre, a Florida theatre company "Mad Cow", a 2012 single by Hank Williams III; Mad Cows, a 1996 novel by Kathy Lette; Mad Cows, a 1999 film based on the 1996 novel, starring Anna Friel "Mad Cow Disease", a song by Goodbye Mr Mackenzie on the 1990 single "Blacker Than ...
Mad About You ("Final Frontier") – Andrew Gold; Mad Men ("A Beautiful Mine") – RJD2; Maggie and the Ferocious Beast – Kristen Bone; The Magic School Bus ("Ride on The Magic School Bus") – Little Richard, composed by Peter Lurye; Magnum, P.I. – Ian Freebairn-Smith (Season 1); Mike Post and Pete Carpenter (remaining seasons)
Many of SNL ' s ad parodies have been featured in prime-time clip shows over the years, including an April 1991 special hosted by Kevin Nealon and Victoria Jackson, as well as an early 1999 follow-up hosted by Will Ferrell that features his attempts to audition for a feminine hygiene commercial. In late 2005 and in March 2009, the special was ...
Combining classical orchestration with mechanical sounds, May's work on Mad Max is notable for its distinctive soundscape that interacts with the film's diegetic sounds. [5] "Mad Max was a strongly energized score in the violence/action department, and for that they wanted a totally non-melodic score," explained May. "It was very jagged and ...
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