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Download as PDF; Printable version; In other projects ... Image Sound Degrees Intervals ... Minor pentatonic scale: Minor pentatonic scale on A.
In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B ♭ alto. [2] Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major , the subdominant of the relative major B ♭ , for the slow movement, with other examples including Joseph ...
Omitting the third and seventh degrees of the C major scale obtains the notes for another transpositionally equivalent anhemitonic pentatonic scale: F, G, A, C, D. Omitting the first and fourth degrees of the C major scale gives a third anhemitonic pentatonic scale: G, A, B, D, E. The black keys on a piano keyboard comprise a G-flat (or ...
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Here, the first chord—stretching two octaves from D 2 to D 4 —is a diatonic (so-called white-note) cluster, indicated by the natural sign below the staff. The second is a pentatonic (so-called black-note) cluster, indicated by the flat sign; a sharp sign would be required if the notes showing the limit of the cluster were spelled as sharps.
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Étude Op. 10, No. 5 is known as the "Black Key Étude" as its right-hand part is entirely on black keys, except for one note. Leichtentritt states that the melodic character resulting from the use of black keys is "based on the pentatonic scale to which the piece owes its strangely playful, attractively primitive tint."
The chords imitating the ringing of bells were a favourite of Scriabin's, and they provide another harmony that recurs throughout the work (two minor thirds separated by a minor sixth). According to Leonid Sabaneyev , when Scriabin himself played these chords, the ringing sounded from near and afar at the same time; a part of them sounded very ...