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Images of the Virgin and Child were for centuries the most common subject for Christian religious art. There are many thousands of surviving historical images. The following is a list (probably incomplete) of those with articles, listed by their usual type of title (although other title forms may be found).
A third sketch showed the infant Jesus playing with a lamb, which sketch was similar to that which is painted on the front side. [2] The Louvre spokesperson said that the sketches were "very probably" made by Leonardo and that it was the first time that any drawing had been found on the "flip side of one of his works".
Unlike traditional representations of the "Trinitarian Saint Anne", which are generally mere symbolic images, the painter offers a true narrative, depicted "like a family genre scene in which a grandmother and her daughter observe the seemingly innocent play of the Child", whose purpose is to reveal God's goal: the sacrifice of his son for the ...
The Encyclopedia of Saints. Facts On File. ISBN 0-8160-4133-4. Bunson, Matthew, Margaret Bunson and Stephen Bunson (2003). Our Sunday Visitor's Encyclopedia of Saints. Our Sunday Visitor, Inc. ISBN 1-931709-75-0. {}: CS1 maint: multiple names: authors list ; Ball, Ann (2004). Young Faces of Holiness: Modern Saints in Photos and Words.
The Mystic Marriage of St. Catherine (or Virgin and Child with Saints Catherine of Alexandria and Barbara) is a c. 1480 oil-on-oak painting by the Early Netherlandish painter Hans Memling, now in the Metropolitan Museum of Art, New York.
The Virgin and Child are shown accompanied by the saints Stephen, Jerome, and Maurice. [2] Gronau thinks that this picture may belong to the period about 1508 to 1510. [2] The Louvre dates it to between 1510 and 1525. [1] The type of the Virgin here is like the one in the Madrid Sacra Conversazione and the Annunciation in Treviso. [3]
The adoration of the Child is staged in a rural landscape with a predominantly horizontal development. Mary is at the centre praying towards her son, on her knees, between a group of saints in several poses. From left to right, the adoring saints are Francis of Assisi, Jerome and Anthony Abbot. [2]
To the left of the music-playing angel is a small plague, known as a cartellino, where Bellini signed and dated the work: "IOANNES BELLIVUS / MCCCCCV" (Giovanni Bellini, 1505). [ 7 ] The work is set in a large niche, depicting a sacred conversation within an established scheme: the Madonna and Child enthroned, a musician angel on a step and ...