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The film was originally to be titled Much Ado About Murder. [4] Robert Fuest, director of The Abominable Dr. Phibes (1971) and its sequel Dr. Phibes Rises Again (1972), was originally offered this film to direct, but turned it down on the grounds of not wishing to be typed as "the guy who makes Vincent Price theme killing movies."
Theatre of Death (also known as Blood Fiend) is a 1967 British horror movie directed by Samuel Gallu and starring Christopher Lee, Lelia Goldoni and Julian Glover. [1] It was written by Ellis Kadison and Roger Marshall .
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In short 5.2 atrocities per act or one for every ninety seven lines. "It is a great play, we're talking 14 dead bodies, kung-fu sword-fu, arrow-fu, dagger-fu, pie-fu, animal screams on the soundtrack, heads roll, hands roll, tongues roll, nine and half quarts of blood and a record breaking ninety four on the vomit scale." [10]
Jennifer, who had been waiting outside, enters the theater, and finds herself alone in the auditorium, confronted by the killer—he is the original theater owner who perpetrated the massacre years prior, and he envisions Jennifer as his former lover, an usherette from decades ago. He embraces Jennifer, but she stabs him to death.
A programme company pays the theatre for the rights to produce the production’s programmes, which is contrary to common belief that the theatre pays the programme company. [1] The programme generally contains photos of the production, a cast list, biographies of the actors and production staff involved, the name of the theatre, background ...
Theatrical blood, stage blood or fake blood is anything used as a substitute for blood in a theatrical or cinematic performance. For example, in the special effects industry, when a director needs to simulate an actor being shot or cut , a wide variety of chemicals and natural products can be used.
[5] The device comprises a squib (a small, tablet-shaped, firecracker-like explosive) with an integrated igniter or glow wire, [6] a pack of simulant (often fake blood), a protective shield and padding attached to the actor's costume. It is connected to a battery and a remote, allowing the squib to be triggered by the actor or a crew member.