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Amar Nastaleeq (Urdu: امر نستعلیق) is a Nastaliq style Embedded OpenType and TrueType Font which was lowest in size, created for web embedding on Urdu websites in 2013. The font was announced by Urdu poet Fahmida Riaz. [1] Jang Group of Newspapers has rendered this font from the developers. [citation needed]
This is a list of dāstāns and qissas (prose fiction) written in Urdu during the 18th and 19th centuries. The skeleton of the list is a reproduction of the list provided by Gyan Chand Jain in his study entitled Urdū kī nasrī dāstānen .
Ahmed Mirza Jamil (Urdu: احمد مرزا جمیل; 21 February 1921 – 17 February 2014) [1] was a Pakistani calligrapher best known for creation of Noori Nastaleeq style of Nastaliq, which was first created as a digital typeface (font, Noori Nastaliq) in 1981.
Urdu is written in the Nastaliq style (Persian: نستعلیق Nastaʿlīq). The Nastaliq calligraphic writing style began as a Persian mixture of the Naskh and Ta'liq scripts. After the Muslim conquest of the Indian subcontinent, Nastaʻliq became the preferred writing style for Urdu. It is the dominant style in Pakistan and many Urdu writers ...
Chashm-e-Baddoor (Persian, Urdu: چشمِ بد دور, Hindi: चश्म-ए-बददूर) is a slogan extensively used in Iran, North India and Pakistan to ward-off the evil eye (which is called nazar in the region). It is a Persian language derivation which literally means "far be the evil eye". [1]
In North India and Pakistan, the term nazar battu can be used idiomatically in a satiric sense to allude to people or objects which are undesirable but must be tolerated. . For instance, when it appeared that former military ruler Pervez Musharraf would insist on being accommodated institutionally as Pakistan made the transition to democracy with the 2008 general election, some press ...
Nazr-e-Bad is a drama about the old superstitious concept of Nazr-e-Bad (evil eye) and black magic. The story reveals how jealousy can lead to envy and eventually making people do horrendous things. Shafiq is a simple and common man, who lives with his family in a modest home.
The most famous of these calligraphers working for the court in Tabriz was Shah Mahmud Nishapuri (d. 1564/1565), known especially for the unusual choice of nastaliq as a script used for the copy of the Qur'an. [14] Its apogeum nastaliq achieved in writings of Mir Emad Hassani (d. 1615), "whose style was the model in the following centuries."