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mandara (曼陀羅) – a mandala, or diagram that contains Buddhist images and illustrates Buddhist cosmology. [1] mandara-dō (曼荼羅堂) – lit. "hall of mandalas", but the name is presently used only for Taimadera's Main Hall in Nara. [1] manji* (卍）- the Japanese name of the swastika, symbol used for Buddhist temples in Japanese maps.
Throughout the Mahāyāna world, Avalokiteśvara (Sanskrit; Chinese: Guan Yin; Japanese: Kannon; Tibetan: Chenrezig) is a bodhisattva who embodies karuṇā. In the Intermediate section of the Stages of Meditation by Kamalaśīla, he writes: Moved by compassion[karunā], Bodhisattvas take the vow to liberate all sentient beings.
The Nīlakaṇṭha Dhāraṇī, also known as the Mahākaruṇā(-citta) Dhāraṇī, Mahākaruṇika Dhāraṇī [1] or Great Compassion Dhāraṇī / Mantra (Chinese: 大悲咒, Dàbēi zhòu; Japanese: 大悲心陀羅尼, Daihishin darani or 大悲呪, Daihi shu; Vietnamese: Chú đại bi or Đại bi tâm đà la ni; Korean: 신묘장구대다라니 (Hanja: 神妙章句大陀羅尼 ...
Gaman is also used in psychoanalytic studies [38] and to describe the attitudes of the Japanese. It is often taught to youth and is largely used by older Japanese generations. Showing gaman is seen as a sign of maturity and strength. Keeping private affairs, problems and complaints silent demonstrates strength and politeness as others have ...
Omamori, another kind of Japanese talisman, shares the same origin as and may be considered as a smaller and portable version of ofuda. A specific type of ofuda is a talisman issued by a Shinto shrine on which is written the name of the shrine or its enshrined kami and stamped with the shrine's seal.
Gohonzon (御本尊) is a generic term for a venerated religious object in Japanese Buddhism.It may take the form of a scroll or statuary. The term gohonzon typically refers to the mainstream use of venerated objects within Nichiren Buddhism, referring to the calligraphic paper mandala inscribed by the 13th Japanese Buddhist priest Nichiren to which devotional chanting is directed.
Izanagi: (伊邪那岐神) was a creation deity; he makes up the seventh generation of the Kamiyonanayo, along with his wife and sister, Izanami. [8]Izanami: (伊邪那美神) was a creation deity; she makes up the seventh generation of the Kamiyonanayo, along with her husband and brother, Izanagi.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.