Search results
Results from the WOW.Com Content Network
A head may have a number of modifiers, and these may include both premodifiers and postmodifiers. For example: that nice tall man from Canada whom you met; In this noun phrase, man is the head, nice and tall are premodifiers, and from Canada and whom you met are postmodifiers.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Head In and Head Out are commonly used to refer to the first and last heads [of a piece] played. Jazz musicians often give each other the "head" or "top" cue by patting their hand on top of their head, which is usually meant to make sure everybody "goes back to the head," or starts playing the head again the next time the "top of the form ...
The proper noun (or the common noun when there is no proper noun) functions as the head of the nominal group; all other constituents work as modifiers of the head. The modifiers preceding the head are called premodifiers and the ones after it postmodifiers. The modifiers that represent a circumstance such as a location are called qualifiers.
In music, a notehead is the part of a note, usually elliptical in shape, whose placement on the staff indicates the pitch, to which modifications are made that indicate duration. Noteheads may be the same shape but colored completely black or white, indicating the note value (i.e., rhythmic duration).
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
In some cases, particularly with noun and adjective phrases, it is not always clear which dependents are to be classed as complements, and which as adjuncts.Although in principle the head-directionality parameter concerns the order of heads and complements only, considerations of head-initiality and head-finality sometimes take account of the position of the head in the phrase as a whole ...
One, known as the Forte number, derives from Allen Forte, whose The Structure of Atonal Music (1973), is one of the first works in musical set theory. Forte provided each set class with a number of the form c – d , where c indicates the cardinality of the set and d is the ordinal number. [ 18 ]