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However, graffiti is to some people a form of art, but to some a form of vandalism. [30] And many graffitists choose to protect their identities and remain anonymous to hinder prosecution. With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose ...
A writer’s sketchbook is carefully guarded against the police and other authorities, as it can be used as material evidence in a graffiti vandalism case and link a writer to previous illicit works. [6] blockbuster A large graffiti with simple, legible letters. Often painted by a brush or a roller. bite
In 1974, Norman Mailer glorified the art of vandalism in his essay "The Faith of Graffiti", which likened tagging in New York City to the work of Giotto and Rauschenberg. New York Authorities responded by coating subway walls with Teflon paint, jailing taggers and requiring hardware stores to keep spray paint under lock and key. [19]
The colorful graffiti that adorns an abandoned skyscraper in downtown L.A. is, depending on who you ask, petty vandalism that plagues the city or vibrant street art that enriches.
Tags are often thought of as the simplest form of graffiti art, prioritising legibility and flow, [1] and are the form that most artists start with. [2] Tags, perhaps due to their simplicity, are more likely to be considered vandalism than other more elaborate graffiti styles. [3] Tags are an artist signature and vary through uniqueness and ...
Graffiti in Los Angeles is a contentious subject. Artists and academics say focusing on the crime is missing the point.
The Faith of Graffiti is a five-part essay. Each part moves from surface-level content like interviews with the graffiti artists to philosophical musings on art and politics. In Part 1 of the essay, Mailer discusses the lives and inspirations of prominent graffiti artists. Mailer adopts the persona of the "Aesthetic Investigator", or A-I.
It has been associated with the terms "independent art", "post-graffiti", "neo-graffiti" and guerrilla art. [2] Street art has evolved from the early forms of defiant graffiti into a more commercial form of art, as one of the main differences now lies with the messaging. Street art is often meant to provoke thought rather than rejection among ...