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Sub Pop is an independent record label founded in 1986 by Bruce Pavitt and Jonathan Poneman. Sub Pop achieved fame in the early 1990s for signing Seattle bands such as Nirvana, Soundgarden, and Mudhoney, central players in the grunge movement. [1] They are often credited with helping popularize grunge music.
From about 1900 to the 1950s, the "lowest frequency in practical use" in recordings, broadcasting and music playback was 100 Hz. [9] When sound was developed for motion pictures, the basic RCA sound system was a single 8-inch (20 cm) speaker mounted in straight horn, an approach which was deemed unsatisfactory by Hollywood decisionmakers, who hired Western Electric engineers to develop a ...
In 1983, Pavitt moved to Seattle and started a record store, Fallout, as well as writing a Sub Pop column for The Rocket, and hosting an independent-label specialty show on KCMU. 1986 saw the release of Sub Pop's (the "-terranean" was dropped earlier from the name) first LP: the Sub Pop 100. Green River's Dry As a Bone EP followed in 1987.
Interlude is an album by Saint Etienne.Released by Sub Pop in the US and Mantra (under licence from Sub Pop) in Canada, this 2001 collection featured UK b-sides and extra songs left over from the recording sessions for their 2000 album, Sound of Water.
On April 1, 1988, Poneman and Pavitt pooled together $19,000 which gave Poneman a 50% stake in the business, to open Sub Pop Records as a full service record label in Seattle. [6] [7] Poneman was the first record label executive to sign Nirvana to a record contract. [6] In 2007, Poneman started an offshoot label called Hardly Art. [8]
Hyper-pop embodies an exaggerated, eclectic, and self-referential approach to pop music and typically employs elements such as brash synth melodies, Auto-Tuned "earworm" vocals, and excessive compression and distortion, as well as surrealist or nostalgic references to 2000s Internet culture and the Web 2.0 era. [5]
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Pond was a band from Portland, Oregon. [1] They formed in 1991 and broke up in 1998. [2] They were signed to Sub Pop (first two albums) and the Work Group records sub-label of Sony Records (last album).