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Family Group, LH 269, Tate Gallery. Family Group (LH 269) is a sculpture by Henry Moore. It was his first large-scale bronze sculpture, and his first large bronze with multiple castings. Made for Barclay School in Stevenage, it evolved from drawings in the
He won the prestigious Carnegie Prize in 1952 and in 1955 a retrospective exhibition of his work was shown at the Tate Gallery in London. In 1956, he won the first Guggenheim International painting prize and in 1957 the international prize for painting at the Sao Paulo Art Biennial .
The Gallery of H.M.S. 'Calcutta' (Portsmouth) The Garreteer's Petition; The Ghost of a Flea; Gillingham Bridge; Girl in a Chemise; The Girlhood of Mary Virgin; The Glebe Farm; Godiva Preparing to Ride through Coventry; The Golden Bough (painting) The Golden Stairs; The Grand Attack on Valenciennes; The Great Day of His Wrath; The Grove ...
The original gallery is now called Tate Britain and is the national gallery for British art from 1500 to the present day, as well as some modern British art. Tate Modern , in Bankside Power Station on the south side of the Thames , opened in 2000 and now exhibits the national collection of modern art from 1900 to the present day, including some ...
Tate Modern is an art gallery in London, housing the United Kingdom's national collection of international modern and contemporary art (created from or after 1900). It forms part of the Tate group together with Tate Britain , Tate Liverpool and Tate St Ives . [ 2 ]
Tate Britain, London The Soul of the Soulless City , originally titled New York – an Abstraction , is a 1920 painting by the English artist C. R. W. Nevinson . It depicts a fictional part of the elevated railway in Manhattan , painted in a style influenced by cubism and futurism .
David Garshen Bomberg (5 December 1890 – 19 August 1957) was a British painter, and one of the Whitechapel Boys.. Bomberg was one of the most audacious of the exceptional generation of artists who studied at the Slade School of Art under Henry Tonks, and which included Mark Gertler, Stanley Spencer, C.R.W. Nevinson, and Dora Carrington. [1]
In the years before the First World War Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an "English Cubist". In the First World War he served as a gunner on the Western Front, and in 1918 became an official war artist.