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A bass recorder is a wind instrument in F 3 that belongs to the family of recorders. The bass recorder plays an octave lower than the alto or treble recorder. In the recorder family it stands in between the tenor recorder and C great-bass (or quart-bass) recorder. Due to the length of the instrument, the lowest tone, F, requires a key.
A few of the bass pedals designed to be used with electronic or clonewheel organs have features that operate the upper manual keyboards, such as an expression pedal or swell pedal, which is a treadle-style potentiometer for controlling the volume; buttons to turn on or change the speed of a Leslie speaker, a rotating horn speaker in a cabinet; or program change buttons, which send a MIDI ...
Korg D888 8-track digital recorder; Korg Kaoss Pad 3 [50] Korg MicroX compact X50, [51] half sounds from the TR, half new, with the X50's software capability; Korg X50 A stripped-down Korg TR with no sequencer but a software-linking editor librarian; Korg Pa 800 Successor of the award-winning Pa 80, but boosted with features like in the Pa1X Pro
PSR-OR700 (2007, Oriental version of Yamaha PSR-S700) PSR-A2000 (2012, Oriental model and black version of Yamaha PSR S710. And the first A series whose Pitch Band and Modulation uses a Joystick) PSR-A3000 (2016, Oriental version based on Yamaha PSR-S770 and first A Series to have multiple colours in the board)
KORG Inc. (Japanese: 株式会社コルグ, Hepburn: Kabushiki-gaisha Korugu), founded as Keio Electronic Laboratories, is a Japanese multinational corporation that manufactures electronic musical instruments, audio processors and guitar pedals, recording equipment, and electronic tuners.
Korg CX-3 (1980) According to journalist Gordon Reid, it "came close to emulating the true depth and passion of a vintage Hammond." [1]Transporting the heavy Hammond organ, bass pedalboard (a B-3 organ, bench and pedalboard weighs 425 pounds/193 kg) and Leslie speaker cabinets to performance venues makes it cumbersome for artists to tour with a vintage electromechanical organ.
The first use of pedals on a pipe organ grew out of the need to hold bass drone notes, to support the polyphonic musical styles that predominated in the Renaissance. Indeed, the term pedal point, which refers to a prolonged bass tone under changing upper harmonies, derives from the use of the organ pedalboard to hold sustained bass notes. [2]
The contrabass recorder plays an octave lower than the ordinary bass (or "basset") recorder. Until recently, it was the largest instrument in the recorder family, but since 1975 has been exceeded by the sub-great bass recorder (also called "contra-great bass" or simply "contrabass" recorder) in C 2 and the sub-contrabass recorder in F 1.