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1. High relief, usually between 1/2" and 2" in depth. 2. Bas relief, or Low relief usually under 1/2" in depth. 3. Deep relief, usually over 2" in depth. 4. Pierced relief, where holes are carved clear through the wood. Some carvers prefer to finish their carving with a clear finish.
The Lachish reliefs are a set of Assyrian palace reliefs narrating the story of the Assyrian victory over the kingdom of Judah during the siege of Lachish in 701 BCE. Carved between 700 and 681 BCE, as a decoration of the South-West Palace of Sennacherib in Nineveh (in modern Iraq), the relief is today in the British Museum in London, [1] and was included as item 21 in the BBC Radio 4 series A ...
Soyez amoureuses vous serez heureuses, 1889, carved and polychromed wood. 95 x 72 x 6.4 cm. Museum of Fine Arts, Boston. Soyez amoureuses vous serez heureuses (Be In Love and You Will Be Happy) is a bas-relief wood panel carved and polychromed by French artist Paul Gauguin in the autumn of 1889.
Registered. 2017–18. The Group of Monuments at Mahabalipuram is a collection of 7th- and 8th-century CE religious monuments in the coastal resort town of Mahabalipuram, Tamil Nadu, India and is a UNESCO World Heritage Site. [1][2][3] It is on the Coromandel Coast of the Bay of Bengal, about 60 kilometres (37 mi) south of Chennai.
e. A candi (pronounced [tʃandi] ⓘ) is a Hindu or Buddhist temple in Indonesia, mostly built during the Zaman Hindu-Buddha or " Hindu-Buddhist period" between circa the 4th and 15th centuries. [ 1 ] The Kamus Besar Bahasa Indonesia defines a candi as an ancient stone building used for worship, or for storing the ashes of cremated Hindu or ...
The head and bust are well formed and project from the centre of the coil. In another compartment a bas-relief 2.5 feet (0.76 m) in diameter has carvings of a male and female; the male is Yaksha carrying a sword and the female is Apsara with a flying veil. The succeeding panel has carvings of two small figures and the panel at the end is carved ...
The Black Obelisk of Shalmaneser III is a black limestone Neo-Assyrian sculpture with many scenes in bas-relief and inscriptions. It comes from Nimrud (ancient Kalhu), in northern Iraq, and commemorates the deeds of King Shalmaneser III (reigned 858–824 BC). It is on display at the British Museum in London, and several other museums have cast ...
With no formal training, Papashvily began carving in 1940. He soon developed a signature style that was a combination of naive and modern. He carved directly in wood and stone, sculpting free-standing figures and bas relief. His favorite subjects came from nature: animals, flowers, and an occasional human figure. [2]
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