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Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
Typically, it refers to a note shared between two chords in a chord progression. According to H.E. Woodruff: Any tone contained in two successive chords is a common tone. Chords written upon two consecutive degrees of the [diatonic] scale can have no tones in common. All other chords [in the diatonic scale] have common tones.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
Half-diminished seventh chord on C (Play ⓘ). A diminished triad with a minor seventh is a half-diminished chord, usually notated either Cm 7(♭ 5) or C ø7. A diminished triad played over a root a major third away creates a Dominant 7th chord, notated C 7, with a C Major triad on the bottom, and an E° from the chord third of C (C E G B ...
The diminished seventh chord occurs as a leading-tone seventh chord in the harmonic minor scale. It typically has dominant function and contains two diminished fifths, which often resolve inwards. [2] The chord notation for the diminished seventh chord (assuming root C) is Cdim 7 or C o 7 (or Cm 6 ♭ 5 for the enharmonic variant).
The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.
The scale degree chords of C major are: Tonic – C major; Supertonic – D minor; Mediant – E minor; Subdominant – F major; Dominant – G major; Submediant – A minor; Leading-tone – B diminished
Because of the repetition of the interval pattern after only two notes, each note in the scale can be the root in another symmetric diminished scale. For example, the C diminished scale of the half-step-first type, has the same notes as the half-step-first E ♭ diminished scale as well as the whole-step-first D ♭ diminished scale.
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