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The White Knight is a fictional character in Lewis Carroll's 1871 book Through the Looking-Glass. He represents the chess piece of the same name. As imagined in John Tenniel 's illustrations for the Alice stories, he is inspired by Albrecht Dürer 's 1513 engraving " Knight, Death and the Devil ."
Critical and Historical Essays was from the first a successful undertaking, reaching a seventh reprinting by 1849, and it was soon being read all over the English-speaking world. [3] One 19th century traveller in Australia reported that the books he found there were for the most part copies of the Bible , Shakespeare , and Macaulay's Essays . [ 4 ]
A white knight is a mythological figure and literary stock character. They are portrayed alongside a black knight as diametric opposites. A white knight usually represents a heroic warrior fighting against evil, with the role in medieval literature being represented by a knight-errant .
"Haddocks' Eyes" is the nickname [1] of the name of a song sung by The White Knight from Lewis Carroll's 1871 novel Through the Looking-Glass, chapter VIII. "Haddocks' Eyes" is an example used to elaborate on the symbolic status of the concept of " name ": a name as identification marker may be assigned to anything, including another name, thus ...
"Occasional Discourse on the Negro Question" is an essay by the Scottish essayist Thomas Carlyle. It was first published anonymously in Fraser's Magazine for Town and Country of London in December 1849, [ 1 ] and was revised and reprinted in 1853 as a pamphlet entitled " Occasional Discourse on the Nigger Question ". [ 2 ]
The Black Knight's Pawn tries to murder the White Bishop's Pawn, but his attempt is foiled by the White Queen's Pawn. She captures him and sends him to the bag, then leaves, resolved to live a single and celibate life. The White Knight and the White Duke have just finished a decadent meal at the Black court.
The White Knight is a biography of the author Lewis Carroll by Alexander L. Taylor, first published in 1952. [1] References This page was last edited on ...
Portrait (c. 1799), oil on canvas, of Sir Uvedale Price, 1st Baronet (1747–1829), by Sir Thomas Lawrence, (1769–1830), 76.2 x 63.5 cm. Sir Uvedale Price, 1st Baronet (baptised 14 April 1747 – 14 September 1829), author of the Essay on the Picturesque, As Compared with the Sublime and The Beautiful (1794), was a Herefordshire landowner who was at the heart of the 'Picturesque debate' of ...