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  2. Octave glissando - Wikipedia

    en.wikipedia.org/wiki/Octave_glissando

    However, exceptions include Balakirev's Islamey, where players are instructed to execute the glissando upwards across three octaves with their right hands in the Tempo di Trepak section. Due to the slight damage (and resultant pain) which octave glissandi may cause to the flesh of the fifth finger, they are infrequently used in the piano ...

  3. Glissando - Wikipedia

    en.wikipedia.org/wiki/Glissando

    Some terms that are similar or equivalent in some contexts are slide, sweep bend, smear, rip (for a loud, violent glissando to the beginning of a note), [1] lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), [2] plop, or falling hail (a glissando on a harp using the back of the fingernails). [3]

  4. List of Italian musical terms used in English - Wikipedia

    en.wikipedia.org/wiki/List_of_Italian_musical...

    On a piano, played with the soft pedal depressed Due corde: two strings: On a piano, played with the soft pedal depressed (For why both terms exist, see Piano#Pedals.) Tre corde or tutte le corde: three strings or all the strings: Cancels una corda Glissando: gliding, glossing: A sweeping glide from one pitch to another used for dramatic effect ...

  5. Piano extended techniques - Wikipedia

    en.wikipedia.org/wiki/Piano_extended_techniques

    prepared piano, i.e. introducing foreign objects into the workings of the piano to change the sound quality; string piano, i.e. hitting or plucking the strings directly or any other direct manipulation of the strings; sound icon, i.e. placing a piano on its side and bowing the strings with horsehair and other materials

  6. List of musical pieces which use extended techniques

    en.wikipedia.org/wiki/List_of_musical_pieces...

    The violins play glissando, pizzicato, tremolo, and in double stops, and use particular effects such as col legno (striking the wood of the bow on the strings) and sul ponticello (bowing close to the bridge), in order to imitate the sounds of a cat, a dog, a hen, the lyre, clarino trumpet, military drum, Spanish guitar, etc. (Boyden 2001; Pyron ...

  7. Three Concert Études - Wikipedia

    en.wikipedia.org/wiki/Three_Concert_Études

    Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.

  8. Piano Concerto No. 3 (Prokofiev) - Wikipedia

    en.wikipedia.org/wiki/Piano_Concerto_No._3...

    The first movement opens with an andante clarinet solo, a long, lyrical melody that the whole orchestra eventually picks up and expands. The strings begin the allegro section with a scalar passage which seems to accelerate towards an upwards glissando climax, at which point the allegro entry of the solo piano unexpectedly breaks the lyrical mood in an exuberant, harmonically fluid burst of ...

  9. Ready to Take a Chance Again - Wikipedia

    en.wikipedia.org/wiki/Ready_To_Take_A_Chance_Again

    Both the 45 RPM single and the track on Manilow's hit collections are monaural, despite being labeled otherwise. The only source for this song in true stereo is the original Foul Play soundtrack, which is missing some elements of the single (a harp at 0:25 and orchestration beginning at 0:45, and a piano glissando at 2:18 is mixed way down).

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