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The original title is Schriften zur Form und Gestaltungslehre ('Writings on form and design theory'), and the two volumes are titled Band I: Das bildnerische Denken ('Volume I: the creative thinking') and Band 2: Unendliche Naturgeschichte ('Volume 2: Infinite Natural History'); they were edited by Jürg Spiller and first published in Switzerland and Germany by publishing house Benno Schwab ...
Mosaic theory, as a legal doctrine, remained mostly out public view until the September 11 attacks in 2001. In cases like Center for National Security Studies v. U.S. Department of Justice, Bush administration officials cited the mosaic theory before the D.C. Circuit court to argue for the blanket denial of FOIA requests in the interest of US national security.
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Mosaic theory may refer to: Mosaic theory (US law), US ...
Design theory is a subfield of design research concerned with various theoretical approaches towards understanding and delineating design principles, design knowledge, and design practice. History [ edit ]
They tended to model the dynamic co-evolution between design solutions and requirements. Within the field of engineering design, C-K theory opens new modelling directions that explore connections with basic issues in logic and mathematics; these are different from the classic use of scientific models in design.
There are two main types of mosaic surviving from this period: wall mosaics in churches, and sometimes palaces, made using glass tesserae, sometimes backed by gold leaf for a gold ground effect, and floor mosaics that have mostly been found by archaeology. These often use stone pieces, and are generally less refined in creating their images.
Harmony (German: Harmonielehre, or "Theory of Harmony") is a book published in 1906 by Heinrich Schenker. It is the first installment of Schenker's three-volume treatise on music theory entitled New Musical Theories and Fantasies; the others are Counterpoint and Free Composition. Schenker's name did not appear on the original edition of the ...
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]