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Broken Vessels is the soundtrack album by American composer Bill Laswell, released on September 21, 1999, by Koch Records. It comprises Laswell's original score for the medical drama Broken Vessels, a film directed by Scott Ziehl released to theaters on April 18, 1998. Critic Steven McDonald called it "an engaging and propulsive recording."
The song "Lightning" was performed by the Philip Glass Ensemble on Saturday Night Live, March 22, 1986. The title comes from a lyric written by Byrne. Glass said, "It had a feeling of how the songs flowed into each other, as if each song were a day and the liquidity was the flow of the songs from one to the other. There’s no break between the ...
Rating the album four stars from CCM Magazine, Matt Conner describes, "Unashamed follows suit with a radio-ready 10-song set of encouraging songs for the church." [2] Bert Gangl, giving the album three stars for Jesus Freak Hideout, writes, "Neither out and out unpleasant nor completely without merit, the new Building 429 record is nevertheless yet one more installment in an ever-growing ...
Sonata for keyboard D maj. Keyboard 36: 19 V/10: 32 in SBB P 804: 01140: 965 8. c.1714–1717 or earlier Sonata for keyboard after Reincken: A min. Keyboard 42: 29 V/11: 173 after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803: 01142: 966 8. c.1714–1717 or earlier Sonata for keyboard after Reincken: A min. Keyboard 42: 42 V/11: 188
This type of keyboard layout, known as the enharmonic keyboard, extended the flexibility of the harpsichord, enabling composers to write keyboard music calling for harmonies containing the so-called wolf fifth (G-sharp to E-flat), but without producing aural discomfort in the listeners (see Split sharp). The "broken octave", a variation of the ...
"A vivid, embracing tale of life on the edge, Broken Vessels is an assured first feature with potent commercial appeal. Focused on a pair of paramedics behind the wheel of an ambulance, the film skillfully careens through the incidental and dark humor of their lives and plows forward into the bleak personal terrain that comes with the job.
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