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A graphical representation of a Design Process using C-K Design Theory. C-K design theory or concept-knowledge theory is both a design theory and a theory of reasoning in design. It defines design reasoning as a logic of expansion processes, i.e. a logic that organizes the generation of unknown objects.
Fuhrmann was born on 23 June 1925 in Hiddesen (near Detmold).He started his studies in Leiden.While Fuhrmann wanted to study music, he gave up this plan in favour of classical philology and jurisprudence, whereby the classical philology was decisive for him. 1953 he obtained his doctorate in classical philology in Freiburg, followed by his habilitation ibidem. 1962 Fuhrmann accepted a chair at ...
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Mosaic theory may refer to: Mosaic theory (US law), US ...
In music, moment form is defined as "a mosaic of moments", and, in turn, a moment is defined as a "self-contained (quasi-)independent section, set off from other sections by discontinuities". [ 1 ] History and definition
Design theory is a subfield of design research concerned with various theoretical approaches towards understanding and delineating design principles, design knowledge, and design practice. History [ edit ]
The original title is Schriften zur Form und Gestaltungslehre ('Writings on form and design theory'), and the two volumes are titled Band I: Das bildnerische Denken ('Volume I: the creative thinking') and Band 2: Unendliche Naturgeschichte ('Volume 2: Infinite Natural History'); they were edited by Jürg Spiller and first published in Switzerland and Germany by publishing house Benno Schwab ...
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
Counterpoint (Kontrapunkt in the original German) is the second volume of Heinrich Schenker's New Musical Theories and Fantasies (the first is Harmony and the third is Free Composition). It is divided into two "Books", the first published in 1910, and the second in 1922. The subject matter of the work is species counterpoint.