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The masque marked the début of the young Prince Charles, the future King Charles I, in the public life of the Stuart Court. Upon the death of his older brother Prince Henry in 1612, Charles had become the heir to the throne of his father, James I; but his youth and relatively poor health (he'd suffered from rickets as a child) kept Charles from assuming the kind of public prominence that ...
The character Sogliardo, who Jonson includes in his general mockery of socially ambitious fools, is a country bumpkin, new to the city, who boasts of the coat of arms he has recently purchased, which, when he describes its colours, resembles a fool’s motley. Another character suggests Sogliardo should use the motto, "Not Without Mustard".
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Ben Jonson and Envy (Cambridge University Press, 2009) Rosalind Miles. Ben Jonson: His Craft and Art (Routledge, London 2017) Rosalind Miles. Ben Jonson: His Life and Work (Routledge, London 1986) George Parfitt. Ben Jonson: Public Poet and Private Man (J. M. Dent, 1976) Richard S. Peterson. Imitation and Praise in the Poems of Ben Jonson ...
All the available evidence indicates that the play was performed by the Lord Chamberlain's Men in 1598 at the Curtain Theatre in Shoreditch, London.That date is given in the play's reprint in Jonson's 1616 folio collection of his works; the text of the play (IV,iv,15) contains an allusion to John Barrose, a Burgundian fencer who challenged all comers that year and was hanged for murder on 10 ...
— Ben Jonson, The Alchemist (1610). Emerging from Ben Jonson 's late- Elizabethan comedies of humours (1598–1599), the conventions of city comedy developed rapidly in the first decade of the Jacobean era , as one playwright's innovations were soon adopted by others, such that by about 1605 the new genre was fully established. [ 1 ]
The witch Maudlin having taken the shape of Marian to abuse Robin Hood, and perplex his guests, comes forth with her daughter Douce, reporting in what confusion she had left them; defrauded them of their venison, made them suspicious each of the other; but most of all, Robin Hood so jealous of his Marian, as she hopes no effect of love would ever reconcile them; glorying so far in the extent ...
Shaa and Spenser were released quickly, and even Jonson was out of jail by early in October. Pembroke's Men were in action again, as were the other companies, before winter of that year. The only party permanently hurt was the Swan's impresario Francis Langley, who alone among the play's producers was not able to obtain relicensing. Langley had ...