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Ben Jonson and Envy (Cambridge University Press, 2009) Rosalind Miles. Ben Jonson: His Craft and Art (Routledge, London 2017) Rosalind Miles. Ben Jonson: His Life and Work (Routledge, London 1986) George Parfitt. Ben Jonson: Public Poet and Private Man (J. M. Dent, 1976) Richard S. Peterson. Imitation and Praise in the Poems of Ben Jonson ...
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Sejanus His Fall was first performed by the King's Men in 1603, probably at court in the winter of that year. [1] In 1604 it was produced at the Globe Theatre.Contemporary witnesses, including Jonson, reported that the cast was greeted with heckles and hisses by their first audience at the Globe; [2] the 1604 performance was "hissed off the stage". [3]
All the available evidence indicates that the play was performed by the Lord Chamberlain's Men in 1598 at the Curtain Theatre in Shoreditch, London.That date is given in the play's reprint in Jonson's 1616 folio collection of his works; the text of the play (IV,iv,15) contains an allusion to John Barrose, a Burgundian fencer who challenged all comers that year and was hanged for murder on 10 ...
The masque marked the début of the young Prince Charles, the future King Charles I, in the public life of the Stuart Court. Upon the death of his older brother Prince Henry in 1612, Charles had become the heir to the throne of his father, James I; but his youth and relatively poor health (he'd suffered from rickets as a child) kept Charles from assuming the kind of public prominence that ...
The witch Maudlin having taken the shape of Marian to abuse Robin Hood, and perplex his guests, comes forth with her daughter Douce, reporting in what confusion she had left them; defrauded them of their venison, made them suspicious each of the other; but most of all, Robin Hood so jealous of his Marian, as she hopes no effect of love would ever reconcile them; glorying so far in the extent ...
The Vision of Delight was a Jacobean era masque written by Ben Jonson. It was most likely performed on Twelfth Night, 6 January 1617 in the Banqueting House at Whitehall Palace, and repeated on 19 January that year. [1] The Vision of Delight was first published in the second folio collection of Jonson's works in 1641.
The commission for the masque came at a welcome time in Jonson's career. After Chloridia in February 1631, Jonson no longer received commissions for masques from the Stuart Court; in his long battle of egos with Inigo Jones, Jones had finally won and Jonson had lost. In September of the same year, Jonson had also lost his post as the ...