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The Battle of Helm's Deep, also called the Battle of the Hornburg, is a fictional battle in J. R. R. Tolkien's The Lord of the Rings that saw the total destruction of the forces of the Wizard Saruman by the army of Rohan, assisted by a forest of tree-like Huorns.
Helm's Deep, a pivotal part of the film's narrative, was built at Dry Creek Quarry with its gate, a ramp, and a wall, which included a removable section as well as the tower on a second level. A 1:4-scale miniature of Helm's Deep that ran 50 feet (15 m) wide was used for forced perspective shots, [22] as well as the major explosion sequence. [21]
In The Observer, the Scottish poet Edwin Muir, who had praised The Fellowship of the Ring, called Tolkien's invention of the Ents and his account of the Battle of Helm's Deep magnificent. He wrote that contrary to some people's assumption, one could not equate the Ring to the atomic bomb; rather, it directly represented evil. [21] [18]
Saruman, also called Saruman the White, later Saruman of Many Colours, is a fictional character in J. R. R. Tolkien's fantasy novel The Lord of the Rings.He is the leader of the Istari, wizards sent to Middle-earth in human form by the godlike Valar to challenge Sauron, the main antagonist of the novel.
Ghost Warriors is a set of three connected scenarios that are set in Dunland. [4]"Ghost Warriors of Dunfearan": Undead have attacked a group of shepherds (and two children), have taken them prisoner, and are returning to their lair in the mountains.
He decided to merge Saruman's and Wormtongue's death scene with "The Voice of Saruman" chapter from The Two Towers, but did not wish to go back to Isengard after the Battle of Helm's Deep. Jackson explained that in post-production of The Return of the King, the scene felt like a seven-minute wrap up of The Two Towers, gave the film an unsteady ...
Scholars have described the narrative structure of The Lord of the Rings, a high fantasy work by J. R. R. Tolkien published in 1954–55, in a variety of ways, including as a balanced pair of outer and inner quests; a linear sequence of scenes or tableaux; a fractal arrangement of separate episodes; a Gothic cathedral-like edifice of many different elements; multiple cycles or spirals; or an ...
[8] Sapochnik studied the siege of Helm's Deep in The Lord of the Rings: The Two Towers to stage the battle scenes in a way "to not have an audience feel battle fatigue", claiming that "the less fighting you can have in a sequence, the better". He also shifted the moods from scene to scene to convey suspense, horror, action, and drama.