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The sonatas each consist of four movements, in the typical slow-fast-slow-fast pattern of the sonata da chiesa. The first two movements of each sonata are a prelude and a fugue. The third (slow) movement is lyrical, while the final movement shares the similar musical structure as a typical binary suite movement. Unlike the sonatas, the partitas ...
BWV 1036 – Sonata in D minor for 2 violins and basso continuo (now attributed to Carl Philipp Emanuel Bach) [3] BWV 1037 – Sonata in C major for 2 violins and basso continuo (now attributed to Johann Gottlieb Goldberg) [3] BWV 1038 – Sonata in G major for flute, violin and basso continuo (doubtful, possibly by C. P. E. Bach) [3]
BWV 1001 – Sonata No. 1 in G minor: 2. Fuga (Allegro) – Transcribed for organ as BWV 539 and for lute as BWV 1000; BWV 1003 – Sonata No. 2 in A minor: 2. Fuga – Transcribed for harpsichord as BWV 964; BWV 1005 – Sonata No. 3 in C major: 2. Fuga (Alla breve)
Sonata for Piano (1948–50) 5 Short Piano Pieces (c. 1949–50) Sonata for Bassoon and Piano (1950) Prelude, Cantilena and Gigue, for clarinet & bassoon (1951) 2 Piano Pieces (1951) Three Fugues on One Subject, No. 2 (1952) String Quartet in F minor, Op. 1 (1953–55) So You Want to Write a Fugue?, for 4 solo voices & piano or string quartet ...
Bach extracted the second movement from his Sonata No. 1 in G minor for solo violin, BWV 1001, written in 1720, and rewrote it; it is not clear that it was intended for the lute. [2] No definitive manuscript version exists today, although there is a contemporary copy in tablature, possibly made by Bach's lutenist friend, Christian Weyrauch.
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
[6] The sonata begins with a theme by the viola da gamba, which is soon joined by the harpsichord. This is driven forward with lively figuration. This is driven forward with lively figuration. The middle movement, in B ♭ major, allows the parts to intertwine even more, ending with the allegro , which begins with repeated notes in the gamba ...
First theme of Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1–12 [1] In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme.