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The typical tenor voice lies between C 3 (C one octave below middle C), to the high C (C 5). The low extreme for tenors is roughly A 2 (two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F 5). [1]
A long, wavering, high-pitched vocal sound resembling a howl with a trilling quality. It is produced by emitting a high-pitched loud voice accompanied with a rapid back-and-forth movement of the tongue and the uvula. Ululation is practiced in certain styles of singing, as well as in communal ritual events, used to express strong emotion.
The voice takes on a resonant masculine quality before its pitch drops, resulting in a liminal stage wherein the boy may sing in a high register with a unique timbre. This brief period of high vocal range and unique color forms much of the ground for the use of the boy soprano in both liturgical and secular music in the Western world and ...
Since absolute pitch is rare in European musical culture, [1] claims that any particular musician possessed it are difficult to evaluate. Among composers of the Baroque and Classical eras, evidence is available only for Mozart , who is documented to have demonstrated the ability at age 7. [ 1 ]
For example, throughout the entirety of Wagner's Ring, the music written for the tenor role of Siegfried ranges from C ♯ 3 to C 5, but the tessitura is described as high because the phrases are most often in the range of C 4 to A 4. Furthermore, the tessitura concept addresses not merely a range of pitches but also the arrangement of those ...
This list does not include persons who frequently share lead vocal duties with other members of a given music group (e.g. John Lennon of the Beatles) or who are principally the public face or spokesperson of the music group (e.g. Pete Wentz of Fall Out Boy). The musician's name appears behind a bullet, and the corresponding musical group ...
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The upper pitch range of the human voice is, on average, about half as high in males as in females. [3] Even after controlling for body height and volume, the male voice remains lower. Charles Darwin suggested that the human voice evolved through intersexual sexual selection, [ 4 ] via female mate choices.