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Maximova in 1972 Maximova as Kitri and her husband Vladimir Vasiliev as Basilio in Don Quixote at the Bolshoi Theatre. (c. 1970) Ekaterina Sergeyevna Maximova (Russian: Екатерина Сергеевна Максимова; 1 February 1939 – 28 April 2009) [1] was a Soviet and Russian ballerina of the second part of the 20th century who was internationally recognised.
Ballet to music by Chopin, Schumann, Rimsky-Korsakow and Shostakovich: Nijinsky; Ballet to a collage of existing music arranged by Bob Zimmerman: Nijinsky – Dancer, Clown, God; Jean-Georges Noverre, French dancer and ballet master Ballet to music by William Boyce, arranged by Constant Lambert: The Prospect Before Us
Stuart Hodes wrote the dance manifested "Martha's uncanny way of anticipating the big changes in her life," adding a quote attributed to Pearl Lang, "Martha had to make that dance so she could cut off Erick's head!" [12] Judith was the first of Graham's biblical heroines and a departure from her myth-derived works.
Polunin was shortlisted as the best male dancer for the 2014 National Dance awards in the U.K. [20] In 2014, Polunin started his collaboration with the famed American photographer and music director David LaChapelle and took part in his new projects, including a dance video to the song "Take Me to Church" by Hozier in February 2015.
It is also used as a description of the place of a particular dancer within a company. "Prima ballerina literally translates to “first principal dancer” from Italian and, in the United States, is better known as someone who is a female principal dancer. These dancers are the best in their companies who perform the lead roles in ballets ...
Henny Mürer (1925–1997), ballet dancer, choreographer, Norwegian National Opera and Ballet, headed National Ballet School; Tone Nyhagen (1963–2015), world champion sport dancer; Edith Roger (1922–2023), ballet dancer, modern dancer, choreographer, theatre director, Ny Norsk Ballett
The Dance of the Seven Veils is the dance performed by Salome before King Herod Antipas in modern stage, literature, and visual arts. [2] It is an elaboration on the New Testament story of the Feast of Herod and the execution of John the Baptist, which refers to Salome dancing before the king, but does not give the dance a name.