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The late 1970s mod revival was led by the band The Jam, who adopted a stark mod look and mixed the energy of punk with the sound of early 1960s mod influenced bands. It was heavily influenced by the 1979 film Quadrophenia. The mod revival was a conscious effort to hark back to the earlier generation in terms of style and presentation.
The Jam released their next single, the double A-side "David Watts"/"'A' Bomb in Wardour Street". "David Watts" was a cover of a Kinks song, throughout which Weller and Foxton traded lead vocals. "'A' Bomb in Wardour Street" was a Weller original. [28] It became their most successful 7" since "All Around the World". [11]
The discography of the British band the Jam consists of 6 studio albums, 5 live albums, 8 compilation albums, 5 box sets, 6 videos, 3 extended plays, 18 singles, and 3 B-sides. The band, who formed in 1972, didn't debut until five years later in 1977, when they released their debut studio album In the City , which entered the UK Albums Chart at ...
Fire & Skill: The Songs of the Jam is a compilation album of hit songs written by The Jam.Each track on the album was performed by a different artist or band. Buffalo Tom singer/guitarist Bill Janovitz was surprised to have the chance to do "Going Underground", saying that his band usually had to be content with doing also-ran songs on compilations such as this.
3. "The Modern World" This Is the Modern World (1977) 2:31: 4. "David Watts" Ray Davies: All Mod Cons (1978) 2:56: 5. "Down in the Tube Station at Midnight" All Mod Cons (1978) 4:01: 6. "It's Too Bad" All Mod Cons (1978) 2:37: 7. "To Be Someone (Didn't We Have a Nice Time)" All Mod Cons (1978) 2:30: 8. "Mr. Clean" All Mod Cons (1978) 3:29: 9 ...
Dig the New Breed is the final album by the Jam, [2] excluding compilations released after the group's split in December 1982. It is a collection of live performances recorded between 1977 and 1982. It is a collection of live performances recorded between 1977 and 1982.
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All Mod Cons is the third studio album by the British band the Jam, released in 1978 by Polydor Records. The title, a British idiom one might find in housing advertisements, is short for "all modern conveniences" and is a pun on the band's association with the mod revival. The cover is a visual joke showing the band in a bare room.