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The chorus of Max Boyce's song "Hymns and Arias", frequently sung by fans of the Wales rugby union team, mentions "Ar Hyd y Nos": "And we were singing hymns and arias; 'Land of my Fathers', 'Ar hyd y nos'". [13] Alan Stivell sings the song in Breton, Welsh and English on his 23rd album Emerald.
Songs such as "Hymns and Arias" soon became popular with rugby crowds, a fact which has played a significant part in his ongoing popularity. When Swansea City were promoted to the English Premier League in 2011, Boyce was asked to perform for their first game and produced a special version of "Hymns and Arias" for the occasion. [10]
The words of Bach's cantatas, almost always entirely in German, consist mostly of 18th-century poetry, Lutheran hymns and dicta. Hymns were mostly set to their Lutheran chorale tune. His chorale cantata cycle contains at least 40 chorale cantatas, each of these entirely based on text and tune of such hymn.
Songs and arias by Johann Sebastian Bach are compositions listed in Chapter 6 of the Bach-Werke-Verzeichnis (BWV 439–524), which also includes the Quodlibet. [1] Most of the songs and arias included in this list are set for voice and continuo. Most of them are also spiritual, i.e. hymn settings, although a few have a worldly theme.
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. [1] The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". [2]
The anonymous libretto draws on existing works (notably by Barthold Heinrich Brockes) and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. [4]
A chorale cantata is a church cantata based on a single hymn, both its text and tune. Bach was not the first to compose them, but for his 1724-25 second Leipzig cantata cycle he developed a specific format: in this format the opening movement is a chorale fantasia on the first stanza of the hymn, with the hymn tune appearing as a cantus firmus.
Christ lag in Todes Banden is a chorale cantata, a style in which both text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name, the main hymn for Easter in the Lutheran church. The composition is based on the seven stanzas of the hymn and its tune, which was derived from Medieval models.