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"In the Mood" is a popular big band-era jazz standard recorded by American bandleader Glenn Miller. "In the Mood" is based on the composition " Tar Paper Stomp " by Wingy Manone . The first recording under the name "In the Mood" was released by Edgar Hayes & His Orchestra in 1938.
"In the Mood" is a song by the English rock singer Robert Plant from his second solo studio album, The Principle of Moments (1983). "In the Mood" was written by Plant, guitarist Robbie Blunt and bassist Paul Martinez . [ 2 ]
"In the Mood" is a song recorded by Australian singer-songwriter Ricki-Lee Coulter for her fourth studio album Dance in the Rain. [1] It was written by Coulter, Stuart Crichton and Brian Lee. Following the album's iTunes pre-order release, "In the Mood" debuted at number 97 on the ARIA Singles Chart.
In the Mood with Tyrone Davis is a Tyrone Davis album released in 1979. It was his fourth Columbia Records release. Critical reception. Professional ratings;
"In the Mood" is three minutes and 34 seconds long. The song was composed in the key of A major and is in 4/4 time. [2] [3] It is the only song on the album written entirely by Geddy Lee (the music on all other songs is co-written by guitarist Alex Lifeson). Lee said that this was the first song he wrote with Lifeson that they "kind of liked". [4]
In the Mood, a 1966 jazz album by Chet Baker and the Mariachi Brass; In the Mood, a 2023 EP by Shaggy "In the Mood" (Ricki-Lee Coulter song) "In the Mood" (Robert Plant song) "In the Mood" (Rush song) "In the Mood", a song by Tyrone Davis from In the Mood with Tyrone Davis "In the Mood", a song by Alphaville from Forever Young
Another one of his most popular early records was "In the Mood", and he performed the song on The Pee Wee King Show in February 1953. [3] [citation needed] After hearing him play in 1952, the "Father of the Blues", W. C. Handy, called Maddox "the white boy with the colored fingers". [4]
"I'm in the Mood for Love" is a popular song published in 1935. The music was written by Jimmy McHugh, with the lyrics by Dorothy Fields. The song was introduced by Frances Langford in the movie Every Night at Eight released that year. [1] It became Langford's signature song.